Anyone else wondering why Suu Minazuki only touches on the deep story that is hiding behind the comedy in this manga?
#1
Posted 12 August 2012 - 05:01 PM
#2
Posted 13 August 2012 - 01:19 AM
Of course, your speculation is most likely correct since once a series is successful, who wouldn't want to ease the pace the plot (in a positive view) or milk the cash cow (in a negative view)? It's easy to exhaust your plot catering to the demands of the audience though, leaving huge gaps of filler or badly planned followups, so I'd say that he's doing himself a favor with the 'slow' progress. It's not like he's falling into the typical (or shall I say dated?) shounen trend either, with endless filler arcs, sub plots and all that jazz which just subtracts from the main story.
That was all said reading this as a plot-based manga, but as I mentioned, I see it as more comedy than anything else. Just read and laugh! =D
#3
Posted 13 August 2012 - 06:13 AM
- darkspark, asdasd, skoobiedoobie and 3 others like this
#4
Posted 15 August 2012 - 11:08 PM
#5
Posted 23 August 2012 - 05:25 PM
- joki9121 likes this
#6
Posted 26 August 2012 - 05:09 AM
#7
Posted 30 August 2012 - 08:13 AM
#8
Posted 21 September 2012 - 03:23 AM
#9
Posted 08 October 2012 - 10:03 PM
- Seraphic Mist and skoobiedoobie like this
#10
Posted 08 October 2012 - 11:12 PM
- Jonander and skoobiedoobie like this
#11
Posted 29 November 2012 - 06:13 AM
It REALLY sucks when a pacifist makes you guilty for killing monsters.
#12
Posted 13 May 2013 - 03:16 PM
Yeah anyone got any idea...? Is it to make the manga last as long as possible or...
...
ch 69-71 have the answer ...
IMO ...
the deep story mixed with comedy is to make the tragedy get heavier since we all will love all character and feels sad when they get killed ... (exception for Synapse bastard boss, I presume)
Edited by yariel, 13 May 2013 - 03:17 PM.
#13
Posted 13 May 2013 - 05:07 PM
I have to agree with yariel on this manga's use of a combination of comedy and tragedy. The mangaka uses the comedy to keep the story from being extremely depressing, because if you look at the plot points without the comedy, this manga is abolutely soul crushingly sad. Like the previous manga (it's name escapes me), the mangaka uses comedy and occasional ridiculous action scenes to help keep the story fresh, and complete, without leaving a feeling of dread. IMHO at least.
#14
Posted 14 May 2013 - 01:24 AM
I have to agree with yariel on this manga's use of a combination of comedy and tragedy. The mangaka uses the comedy to keep the story from being extremely depressing, because if you look at the plot points without the comedy, this manga is abolutely soul crushingly sad. Like the previous manga (it's name escapes me), the mangaka uses comedy and occasional ridiculous action scenes to help keep the story fresh, and complete, without leaving a feeling of dread. IMHO at least.
...
makes the feeling of reader high, because exciting ecchi and and comedy ...
after that plunge into seriousness and tragedy ...
high-high at the sky and smack down to the bottom, kinda cruel in it's own way ...
that's why the name of this manga is Sora no Otoshimono ...
the one which fall (thrown away/ falling / thrown / fallen / etc) from the sky ...
not only character ... but reader emotion also suit that title very much ...
#15
Posted 14 May 2013 - 02:31 AM
because he made a manga with FULL ON PLOT + DRAMA + ROMANCE already and it wasn't that well known
you can look up:
Watashi no Messiah-sama
imo it was a really good manga like 10/10
but some people don't appreciate those types so he made sora and now it has 1/2 and 1/2 which is still really good
#16
Posted 14 May 2013 - 10:21 AM
...
actually the comedy is too much to the point it goes into "alternate world" compared the serious one ... =3= ...
#17
Posted 20 October 2013 - 01:34 AM
His entire storytelling style encourages deep bonds with each character... whether negative or positive...so that the "serious" episodes are more meaningful. This manga has made/ruined my day a few times >__> ... and that's what good storytelling does.
"What a Fool. Throwing a hare into a Lion's den" - Sugata Eishiro