Yakushoku Distopiary - Gesellschaft Blume

Ahh the plot thickens

It's back? Yay!

If those shiny rocks are formed under the layers, why one can't come to the edje of the layer and chip some with pickaxe?

Probably because it's a not-so-bright idea? They are not on the edge, but the very bottom of the layer. You could cause rubbles to fall, and it's not like the distance between layers is short that it's okay for you to risk it. Hell, maybe the thickness of each layer is as thick as earth crust, so mining it from above is also not an option.

If those shiny rocks are formed under the layers, why one can't come to the edje of the layer and chip some with pickaxe?

well they are already giving a new way to fight the demon king without the need to sacrifice a huge bunch of people to get the levels and how another view to the work of the watchers, afterall she was ready to kill the subjugator and last, those rocks could be a key item for future battles or key material to help the MC in his final battle. 

Wait, what? Where did you get that? Or maybe my memory is a bit hazy.

I'm wondering what will this focus of Coco and her Subjugator will ultimately give to the main story.

 

well they are already giving a new way to fight the demon king without the need to sacrifice a huge bunch of people to get the levels and how another view to the work of the watchers, afterall she was ready to kill the subjugator and last, those rocks could be a key item for future battles or key material to help the MC in his final battle. 

I'm wondering what will this focus of Coco and her Subjugator will ultimately give to the main story.

Stories where the characters say, can and do anything they want...

Aren't that kind of stories tend to be boring even without "everyone dies" ending?

I think she faked her death for some ulterior motive and she's been using pieces of her fingers as recipe that's why her fingers are shorter.

What's going on with Coco? Is she alive, and what is with the premonition with the sawed off hand??? 

I'm guessing either the dead one was a fake created from a whole hand to make it as close as possible to the real one possibly to trick the watchers, or this is a fake one created from a whole hand to make it as close as possible to the real one.

What's going on with Coco? Is she alive, and what is with the premonition with the sawed off hand??? 

This manga flipflops like a motherfucker. Because when I saw farmer over here murder the clones, I almost thought he was just written as evil for the sake of evil- THEN I see he's using them for Hero's Compensation and I'm going, holy shit, that's pretty clever- and then he goes on to show all the bastard homunculi he made and he goes back to being evil for the sake of being evil, and I'm shrugging my shoulders because, okay, all the good will you just built up went out the window.

Why read Akame ga Kill when you know everyone will die?

 

Jokes aside, lack of good ending potential is not necessarily enough of a reason to not read something.

And remember that downer ending does exist.

Because a 'everyone dies' ending generally implies a bad story.

Stories where the characters say, can and do anything they want tend to be boring if you knows that they're just gonna die in the end. No one wants to watch a 15 minute flashback about a character thats going to die before the end of the episode.

Poor Coco...

Really, the entire system needs to be destroyed - starting from those at the top.

Ok, so we have somebody, who realy uses brain. And he looks like a rejected vilian concept from JoJo.

Allso, why other subjugators we saw never hired an alchemist, if said alchemists can do stuff like this? One still need to kill somebody with high level, but said guy would die anyway, if join subjugator. I bet we will get something, that explains this, but odds are reason will be stupid.

Okay I don't get the point of reading this if we know everyone will die a pitiful death because the system need it.

Why read Akame ga Kill when you know everyone will die?

Jokes aside, lack of good ending potential is not necessarily enough of a reason to not read something.

And remember that downer ending does exist.

Okay I don't get the point of reading this if we know everyone will die a pitiful death because the system need it.

Using homunculi seems rather reasonable option for the case. I thought from the beginning that cutting off potential longlasting and self-improving assets in order to minimise immediate damage is wasteful.

On side note, I want to link this manga to every single person who complains about Fairy Tail never seems to want to kill anyone unless there is a convenient deus ex machina that returns from the other side. I mean, death flags are literally on the introduction page of most characters here.

Everyone have a "Job" or a "Class" that they can't really escape for how it works. You just describe Fry destiny and job in Futurama in those first episode. Get a chip implanted in his hand and gonna do delivery job because he is the best at that.

Google "Cutie mark", same concept in overly bright ambience

Also while people are generally abide their classes, it does not entirely undermines their personal character. Bombist can become great mayor for example and there are bunch of "jobs" without reasonable implementation whatsoever. The ones who trapped by their class are either "victims" who just submit to their fate or "comitants" who indulge in it - they all have a choice, also often not obvious and tedious.

Everyone have a "Job" or a "Class" that they can't really escape for how it works. You just describe Fry destiny and job in Futurama in those first episode. Get a chip implanted in his hand and gonna do delivery job because he is the best at that.

This chapter reminds me how abundant this manga is with dark humor.

Damn this manga is so dark.

> Everyone have a "Job" or a "Class" that they can't really escape for how it works. Like trading over freedom for efficiency, except they can't refuse.

This is very technocratic, you know. Man is a mere resource, everybody have a place. And this all without a big dive in "technology" aspect. Not something you see everyday.

But, as you may be didn't notice, i've wrote "slightly interresting". That's because I like the idea, but don't realy like how that idea presented. Instead of a system we have a piles of random stuff stocked here and there. Candyland boardgame setting was better put together, than this. Allso to the credit of comic, it have some things, at which I can't just put a finger and say "bad writing". Like this thing with mayors. We have a professional constructor in charge of "construction city", Mr. Clean with aids professional cleaner in charge of "cleaning city", something that looks like a runavay exhibit of post-pop-art gallery in charge of city full of designers. And we have a, basically, demoman from TF2 in charge of city, centered around information. Something is different from other cases. And now I can't tell, is it intended to be a drop of chaos in this ordered society, or, more probably, writer just want to make a big Ka-BOOM later in a story. It still can be a bad writing. And comic allready have not a small amount of it.

Another thing to the credit of comic. It's hard to describe, but I'll try. Thing is, this comic are very self-avare. It knows, what it is, and don't trying to be something it isn't.

I don't like manga that being gory just for the sake of being gory.

The same reason I don't like Gantz, Platinum End, Real Account, or any variation of tragedy manga.

For me, tragedy, isekai, and pornhwa are the three bottom barrel of manga genres.

No likeable character, no intriguing plot, no interesting script.

With a very few exceptions, they're all usually just boring story with some sort of gimmicks (gore, rebirth, and sex).

1st none of those manga is gory for the sake of it, even ReAcca have a vage reason to that.

2 I don't think "tragedy" is the word or genre you're talking about.

3 You're right about most Isekai and 'pornhwa', but is a moot point here,  because this manga is neither.

Dunno, this is interesting, just like a simple, generic JRPG when is only the NPCs over. Everyone have a "Job" or a "Class" that they can't really escape for how it works. Like trading over freedom for efficiency, except they can't refuse. The system is basically some weird, continuous rehearse, of the hero killing the Maou who terrorizes the populace. There's no really anything too deep, the system is fucked up and everyone pays the price, the 'bad guys' are only into it because there's no other way around for them, the same with the Subjugators,  for all the involved is simple lower their heads and accept their destiny. 

Except LotR has likable characters and is much better written. 

I think allmost nobody reading this for the story or characters. The only slightly interresting element this comic have is the world itself. This cyber distopia, that differs from generic cyberpunk with intensive 80-s elements. Allso I've found myself not so annoyed by those thing with levels, since it isn't a "we playing an vrmmorpg, but acting like heroes of "Ultramarines" movie, rather than regular people" with negative level of gamedesign, that makes that game looks like something normal people would realy play.

The Japanese in general are masters of not keeping the Tone in their works(note: this is not a good thing) but this takes the cake. I honestly have no idea what the author expected me to feel reading this.

Sorry guys, it didn't seem to be that lengthy when I wrote