| Description: |
Keyman is the resident hero of Lockville City, a place inhabited by both humans and animal people. In the years since his debut as a hero, crime has decreased significantly, which does not look all that great for the local police force. But one day, after he catches yet another group of criminals, Keyman is mysteriously murdered. Detective Alex and his police force are investigating the murder, and one of their major clues is the words "Dr. Necro," which were carved onto Keyman's body after his death. Their case gets even stranger when Alex unexpectedly meets "Dr. Necro," who appears to be a young girl, in a bar. What monster could be behind the murder of Keyman, and what does the childlike Dr. Necro have to do with it all? |
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He's the devil, he's not supposed to do everything himself but only act in such a way that his involvement and presence is always uncertain. That's why he controlled the gorilla you carry the girl off. That he is taking action himself also shows how impatient and close to the climax he is.
I'm sick and tired of Butler being ridiculously OP.
If he was so strong, why did he even NEED anyone else? He could have done all of this on his own in far less time.
David could do it. Easy.
He kept a stiff upper beak.
HAHAHAHAHA!
Trigger have worked on KLK (which was shit), LWA (which was just a light-hearted version of Tweeny Witches), Kiznaiver (which was pretty good overall), When Supernatural Battles Become Commonplace (which was boring), Inferno Cop (which was fun once but had no rewatch value), Turning Girls (which was another boring effort), and Ninja Slayer From Animation (which was utter bollocks but at least had more of a point to it than KLK).
You're saying they're automatically better than other studios just because they happen to have done a few anime that you adore, or am I wrong about the LWA/KLK fanbase? Have I misunderstood the numerous comments I've seen from fans of those two franchises about "how Trigger have saved anime".
Personally I used to be a fan of Manglobe, who made Samurai Champloo, Ergo Proxy and Michiko to Harchin (the latter is an amazing series), until they made The Sacred Blacksmith.
The point is that there are other options that could do Keyman justice.
A1 has Your Lie in April, Grimgar, Working and a shitload of good series. As long as they don't have 3-4 series in a season, they produce great stuff.
Deen has Konosuba and Shouwa, people don't trust them because of Fate and Higurashi stuff. They're inconsistent.
I only have this question... HOW THE HELL THIS MANGA HAS NEVER BEEN IN THE HIGHEST RATED SERIES!!!??
this series friggin awesome, it's one of the best manga I have read in a long time.
The main four here yes. The other girls may actually be girls we'll never know.
My god you read in more stuff to that comment than what was said.
Take the studio wars to Reddit.
hey studio deen worked in konosuba ... but yeah, they suck ass in the artistic department, maybe Bones or Madhouse could make a goodwork too. Trigger is the best option still, to mix the noir with the comedy and suspense in a good way.
ufotable is good but they are almost a type-moon specialist, so don't think so.
Aaron ;__________________;
*salutes*
Aaron...Aaron had a hard life...
Walter why?!
Also just to be clear, all the people working in the strip club that were women were actually crossdressers?
Are you fucking kidding me? Hell no I don't think A1 Pictures could give Keyman the treatment it deserves! They're shit, and all they're ever responsible for is shit adaptations!
People trust Trigger because Trigger makes great fucking anime. People don't trust A1 (or Deen, lol) because they make shit anime.
holy schnetzel. after aaron, now this? the author's twisting it so good, he's wringing blood out of our hearts.
Woah, taking the person's comment a bit too literally there. But to me, it just seems that Key Man's artstyle would fit with the colors and animation with Trigger's style. Trigger is probably mostly famous for being founded by former Gainax employees, so that is pretty much enough experience enough as it is. Also have no idea where you pull the "diversity" card.
Besides you act as if the industry defines quality or anime. People aren't talking about anime being dead from an industry or financial standpoint, but an artistic storytelling medium instead (like the simpsons).
Seriously? So you don't think that Ufotable, Production I.G. A1 Pictures, J.C. Staff, KyoAni, Bones, Zexcs, P.A. Works, Madhouse, Xebec, Studio Deen or any of the other anime studios with greater and more diverse experience could do a better job than Trigger?
I still don't understand this whole adoration of Trigger to be honest. Why are so many people enamoured with the studio, or is it just that they love LWA and KLK so much that they've become blind to the good work that other studios do?
Oh, and Trigger didn't save anime because it didn't need saving in the first place. It's a bloody international industry so statements like that are simply stupid.
Also. Alex is possibly the most badass T-Rex in any medium.
Hello darkness, my old friend.
Oh yay, more betrayals.
Damn, I forgot how awesome this manga is. T-rex is still the coolest. Thanks for the chapter!
Let's be honest here. The only studio I'd trust for an adaptation of this is Trigger. No other animators could to it justice.
Recently there is an adaptation of this, which is basically this manga—at least at a surface level—with less noir, brighter color, and a scale-less main character. I-It's a sign, right?
Or you end up with shit like Berserk 2016.
CLANG CLANG
Be honest with yourself. Even in the digital age nobody is going to put that much black shading and contrast into their adaptation. Series with art styles as distinct as this will always have it altered to be manageble for a studio's budget and time constraints. Best case scenario this gets made as a series of short movies so that the time and effort can be made to get details right.
He closed his eyes before Aron's rapier could pierce it. He is a Pirate T-Rex after all.